And then, high up on an icy branch, a scarlet flash.
One more leaf holding tight.
"You're here?" called the Little Yellow Leaf.
"I am," said the Little Scarlet Leaf.
"Like me!" said the Little Yellow Leaf.
Neither spoke.
Finally… "Will you?" asked the Little Scarlett Leaf.
"I will!" said the Little Yellow Leaf.
And one, two, three, they let go and soared
Showing posts with label Readings. Show all posts
Showing posts with label Readings. Show all posts
Wednesday, 27 March 2013
I Like You by Sandol Stoddard Warburg
I like you and I know why
I like you because you are a good person to like
I like you because when I tell you something special, you know it's special
And you remember it a long, long time
You say, Remember when you told me something special
And both of us remember
When I think something is important you think it's important too
We have good ideas
When I say something funny, you laugh
I think I'm funny and you think I'm funny too
Hah-hah!
I like you because you know where I'm ticklish
And you don't tickle me there except just a little tiny bit sometimes
But if you do, then I know where to tickle you too
You know how to be silly - that's why I like you
If I am getting ready to pop a paper bag,
then you are getting ready to jump
HOORAY!
I like you because when I am feeling sad
You don't always cheer me up right away
Sometimes it is better to be sad
You can't stand the others being so googly and gaggly every single minute
You want to think about things
It takes time
I like you because if I am mad at you
Then you are mad at me too
It's awful when the other person isn't
They are so nice and oooh you could just about punch them on the nose
I can't remember when I didn't like you
It must have been lonesome then
Even if it was the 999th of July
Even if it was August
Even if it was way down at the bottom of November
I would go on choosing you
And you would go on choosing me
Over and over again
And that's how it would happen every time
Love by Roy Croft
I love you
Not only for what you are,
But for what I am
When I am with you.
I love you,
Not only for what
You have made of yourself,
But for what
You are making of me.
I love you
For the part of me
That you bring out;
I love you
For putting your hand
Into my heaped-up heart
And passing over
All the foolish, weak things
That you can't help
Dimly seeing there,
And for drawing out
Into the light
All the beautiful belongings
That no one else had looked
Quite far enough to find
I love you because you
Are helping me to make
Of the lumber of my life
Not a tavern
But a temple.
Out of the works
Of my every day
Not a reproach
But a song.
I love you
Because you have done
More than any creed
Could have done
To make me good.
And more than any fate
Could have done
To make me happy.
You have done it
Without a touch,
Without a word,
Without a sign.
You have done it
By being yourself.
Not only for what you are,
But for what I am
When I am with you.
I love you,
Not only for what
You have made of yourself,
But for what
You are making of me.
I love you
For the part of me
That you bring out;
I love you
For putting your hand
Into my heaped-up heart
And passing over
All the foolish, weak things
That you can't help
Dimly seeing there,
And for drawing out
Into the light
All the beautiful belongings
That no one else had looked
Quite far enough to find
I love you because you
Are helping me to make
Of the lumber of my life
Not a tavern
But a temple.
Out of the works
Of my every day
Not a reproach
But a song.
I love you
Because you have done
More than any creed
Could have done
To make me good.
And more than any fate
Could have done
To make me happy.
You have done it
Without a touch,
Without a word,
Without a sign.
You have done it
By being yourself.
Sunday, 6 January 2013
Psalm 92 in full
A Psalm. A Song for the Sabbath.
92 It is good to give thanks to the Lord,
to sing praises to your name, O Most High;
2 to declare your steadfast love in the morning,
and your faithfulness by night,
3 to the music of the lute and the harp,
to the melody of the lyre.
4 For you, O Lord, have made me glad by your work;
at the works of your hands I sing for joy.
to sing praises to your name, O Most High;
2 to declare your steadfast love in the morning,
and your faithfulness by night,
3 to the music of the lute and the harp,
to the melody of the lyre.
4 For you, O Lord, have made me glad by your work;
at the works of your hands I sing for joy.
5 How great are your works, O Lord!
Your thoughts are very deep!
6 The stupid man cannot know;
the fool cannot understand this:
7 that though the wicked sprout like grass
and all evildoers flourish,
they are doomed to destruction forever;
8 but you, O Lord, are on high forever.
9 For behold, your enemies, O Lord,
for behold, your enemies shall perish;
all evildoers shall be scattered.
Your thoughts are very deep!
6 The stupid man cannot know;
the fool cannot understand this:
7 that though the wicked sprout like grass
and all evildoers flourish,
they are doomed to destruction forever;
8 but you, O Lord, are on high forever.
9 For behold, your enemies, O Lord,
for behold, your enemies shall perish;
all evildoers shall be scattered.
10 But you have exalted my horn like that of the wild ox;
you have poured over me[a] fresh oil.
11 My eyes have seen the downfall of my enemies;
my ears have heard the doom of my evil assailants.
you have poured over me[a] fresh oil.
11 My eyes have seen the downfall of my enemies;
my ears have heard the doom of my evil assailants.
12 The righteous flourish like the palm tree
and grow like a cedar in Lebanon.
13 They are planted in the house of the Lord;
they flourish in the courts of our God.
14 They still bear fruit in old age;
they are ever full of sap and green,
15 to declare that the Lord is upright;
he is my rock, and there is no unrighteousness in him.
and grow like a cedar in Lebanon.
13 They are planted in the house of the Lord;
they flourish in the courts of our God.
14 They still bear fruit in old age;
they are ever full of sap and green,
15 to declare that the Lord is upright;
he is my rock, and there is no unrighteousness in him.
Sunday, 2 December 2012
The first song ever sung
“This at last is bone of my bones
and flesh of my flesh;
she shall be called Woman,
because she was taken out of Man.”
(Genesis 2:23)
Smitten by the vision of his bride for the first time, music erupts from his mouth
and flesh of my flesh;
she shall be called Woman,
because she was taken out of Man.”
(Genesis 2:23)
Smitten by the vision of his bride for the first time, music erupts from his mouth
Monday, 19 November 2012
Roll to the middle by sara groves
Roll to the Middle
By Sara Groves |
||
| We just had a World War III here in our kitchen We both thought the meanest things And then we both said them We shot at each other till we lost amunition This is how I know our love This is when I feel it’s power Here in the absence of it This is my darkest hour When both of us are hunkered down And waiting for the truce All the complicated wars They end pretty simple Here when the lights go down We roll to the middle No matter how my pride resists No matter how this wall feels true No matter how I can’t be sure That you’re gonna roll in too No matter what, no matter what I’m going to reach for you | ||
Fly by sara groves
Fly
By Sara Groves |
||
| Speak in a summer tone Pause in the after glow Tenderly whisper my name Tell me once again why I am your bride So I can fly So I can fly Pause in your busy day Look extra long my way Wink at me across the room Kiss me longer Touch my arm when I am by your side So I can fly So I can fly Oh how the little things Strengthen my tiny wings Help me to take on the world When you love me there's nothing I wouldn't try I might even fly I might even fly I might even fly | ||
Less like scars lyrics by sara groves
Less Like Scars
Wednesday, 31 October 2012
Your feet by Pablo Neruda
When I cannot look at your face
I look at your feet.
Your feet of arched bone,
your hard little feet.
I know that they support you,
and that your sweet weight
rises upon them.
Your waist and your breasts,
the doubled purple
of your nipples,
the sockets of your eyes
that have just flown away,
your wide fruit mouth,
your red tresses,
my little tower.
But I love your feet
only because they walked
upon the earth and upon
the wind and upon the waters,
until they found me.
I look at your feet.
Your feet of arched bone,
your hard little feet.
I know that they support you,
and that your sweet weight
rises upon them.
Your waist and your breasts,
the doubled purple
of your nipples,
the sockets of your eyes
that have just flown away,
your wide fruit mouth,
your red tresses,
my little tower.
But I love your feet
only because they walked
upon the earth and upon
the wind and upon the waters,
until they found me.
Tuesday, 18 September 2012
Nairobi wedding sample church programme
I received this church programme from my mum's church and I think it is quite helpful. The church does a 1 hour ceremony which is quite short. It is also quite traditional for example it does not have lighting of the unity candle, holy communion or slide shows which are all elements which I have enjoyed previously in other weddings. Anyway, here is a skeleton church wedding programme:
- Guests are seated
- Bridal procession
- opening prayer, praise and worship
- Scripture reading, sermonnette
- Exchange of vows, rings
- Prayers and blessing for the couple
- Signing of register and special song
- Announcement by MC
- closing prayer and prayer for reception/food
- Bride and groom exit
Tuesday, 11 September 2012
The Siddur of Shir Chadash from the Jewish Prayerbook
May the door of this home be wide enough
to receive all who hunger for love,
all who are lonely for friendship.
May it welcome all who have cares to unburden,
thanks to express, hopes to nurture.
May the door of this house be narrow enough
to shut out pettiness and pride, envy and enmity.
May its threshold be no stumbling block
to young or strained feet.
May it be too high to admit to complacency,
selfishness and harshness.
May this home be for all who enter,
the doorway to richness and a more meaningful life.
to receive all who hunger for love,
all who are lonely for friendship.
May it welcome all who have cares to unburden,
thanks to express, hopes to nurture.
May the door of this house be narrow enough
to shut out pettiness and pride, envy and enmity.
May its threshold be no stumbling block
to young or strained feet.
May it be too high to admit to complacency,
selfishness and harshness.
May this home be for all who enter,
the doorway to richness and a more meaningful life.
Ecclesiastes 4:9-12
Two are better than one, because they have a good reward for their toil.
For if they fall, one will lift up his fellow; but woe to him who is
alone when he falls and has not another to lift him up. Again, if two
lie together, they are warm; but how can one be warm alone? And though a
man might prevail against one who is alone, two will withstand him
Excerpt from the Velveteen rabbit by Margery williams
From "The Velveteen Rabbit" by Margery Williams
"What is REAL?" asked the Rabbit one day, when they were lying side by side near the nursery fender, before Nana came to tidy the room. "Does it mean having things that buzz inside you and a stick-out handle?"
"Real isn't how you are made," said the Skin Horse. "It's a thing that happens to you. When a child loves you for a long, long time, not just to play with, but REALLY loves you, then you become Real."
"Does it hurt?" asked the Rabbit.
"Sometimes," said the Skin Horse, for he was always truthful. "When you are Real you don't mind being hurt."
"Does it happen all at once, like being wound up," he asked, "or bit by bit?"
"It doesn't happen all at once," said the Skin Horse. "You become. It takes a long time. That's why it doesn't happen often to people who break easily, or have sharp edges, or who have to be carefully kept. Generally, by the time you are Real, most of your hair has been loved off, and your eyes drop out and you get loose in the joints and very shabby. But these things don't matter at all, because once you are Real you can't be ugly, except to people who don't understand."
"What is REAL?" asked the Rabbit one day, when they were lying side by side near the nursery fender, before Nana came to tidy the room. "Does it mean having things that buzz inside you and a stick-out handle?"
"Real isn't how you are made," said the Skin Horse. "It's a thing that happens to you. When a child loves you for a long, long time, not just to play with, but REALLY loves you, then you become Real."
"Does it hurt?" asked the Rabbit.
"Sometimes," said the Skin Horse, for he was always truthful. "When you are Real you don't mind being hurt."
"Does it happen all at once, like being wound up," he asked, "or bit by bit?"
"It doesn't happen all at once," said the Skin Horse. "You become. It takes a long time. That's why it doesn't happen often to people who break easily, or have sharp edges, or who have to be carefully kept. Generally, by the time you are Real, most of your hair has been loved off, and your eyes drop out and you get loose in the joints and very shabby. But these things don't matter at all, because once you are Real you can't be ugly, except to people who don't understand."
An apache wedding prayer
An Apache Wedding Prayer- (personalised with personal pronouns)
(author unknown)
Now [we] will feel no rain, For each of [us] will be shelter to the other. Now [we] will feel no cold, For each of [us] will be warmth to the other. Now there is no more loneliness for [us], For each of [us] will be companion to the other.
[We will] Treat yourselves and each other with respect, and remind [ourselves] often of what brought [us] together. [We will] Give the highest priority to the tenderness, gentleness and kindness that [our] connection deserves.
When frustration, difficulty and fear assail [our] relationship; as they threaten all relationships at one time or another, [we will] remember to focus on what is right between [us], not only the part which seems wrong. In this way, [we] will ride out the storms
when clouds hide the face of the sun in [our] lives, remembering that, even if [we] lose sight of it for a moment, the sun is still there. And if each of [us] takes responsibility
for the quality of [our] life together, it will be marked by abundance and delight.
[We] Go now to [our] dwelling place, to enter into the days of [our] life together.
And may [our] days be good and long upon the earth.
Amen!
(author unknown)
Now [we] will feel no rain, For each of [us] will be shelter to the other. Now [we] will feel no cold, For each of [us] will be warmth to the other. Now there is no more loneliness for [us], For each of [us] will be companion to the other.
[We will] Treat yourselves and each other with respect, and remind [ourselves] often of what brought [us] together. [We will] Give the highest priority to the tenderness, gentleness and kindness that [our] connection deserves.
When frustration, difficulty and fear assail [our] relationship; as they threaten all relationships at one time or another, [we will] remember to focus on what is right between [us], not only the part which seems wrong. In this way, [we] will ride out the storms
when clouds hide the face of the sun in [our] lives, remembering that, even if [we] lose sight of it for a moment, the sun is still there. And if each of [us] takes responsibility
for the quality of [our] life together, it will be marked by abundance and delight.
[We] Go now to [our] dwelling place, to enter into the days of [our] life together.
And may [our] days be good and long upon the earth.
Amen!
Gift from the Sea quote on love
Gift From The Sea
Anne Morrow Lindbergh (b.1906)
When you love someone, you do not love them all the time, in exactly the same way, from moment to moment. It is an impossibility. It is even a lie to pretend to. And yet this is exactly what most of us demand. We have so little faith in the ebb and flow of life, of love, of relationships. We leap at the flow of the tide and resist in terror its ebb. We are afraid it will never return. We insist on permanency, on duration, on continuity; when the only continuity possible, in life as in love, is in growth, in fluidity - in freedom, in the sense that the dancers are free, barely touching as they pass, but partners in the same pattern. The only real security is not in owning or possessing, not in demanding or expecting, not in hoping, even. Security in a relationship lies neither in looking back to what was in nostalgia, nor forward to what it might be in dread or anticipation, but living in the present relationship and accepting it as it is now. Relationships must be like islands, one must accept them for what they are here and now, within their limits - islands, surrounded and interrupted by the sea, and continually visited and abandoned by the tides.
Anne Morrow Lindbergh (b.1906)
When you love someone, you do not love them all the time, in exactly the same way, from moment to moment. It is an impossibility. It is even a lie to pretend to. And yet this is exactly what most of us demand. We have so little faith in the ebb and flow of life, of love, of relationships. We leap at the flow of the tide and resist in terror its ebb. We are afraid it will never return. We insist on permanency, on duration, on continuity; when the only continuity possible, in life as in love, is in growth, in fluidity - in freedom, in the sense that the dancers are free, barely touching as they pass, but partners in the same pattern. The only real security is not in owning or possessing, not in demanding or expecting, not in hoping, even. Security in a relationship lies neither in looking back to what was in nostalgia, nor forward to what it might be in dread or anticipation, but living in the present relationship and accepting it as it is now. Relationships must be like islands, one must accept them for what they are here and now, within their limits - islands, surrounded and interrupted by the sea, and continually visited and abandoned by the tides.
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